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Paul Poletti and I in Herne
Jean Tournay conversing with Michel de Maeyer
me, lecturing at the 2002 "Harmoniques" in
Lausanne
|
|
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"The Structure of
the Classical Piano"
|
1989, lecture at Antwerpiano, 1989 in
Antwerp
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"Is
Looking Seeing?"
|
Restoration report and analysis of the small
Italian harpsichord Inv.N°.G7.817,
Württ.Landesmuseum, Stuttgart 1989 FOMRHI
Quarterly N°.63 1991
|
|
"The Walnut
Revisited"
|
Analysis of measurements and proportions of the
so-called French harpsichord Württ.
Landesmuseum, Stuttgart, 1889 FOMRHI Quarterly
N°.63 1991
|
|
"Ruckers
Enigma"
|
1991 as lecture at Antwerpiano in Antwerp 1991;
in
-Das Musik Instrument-,
Feb-März 1992,
German translation by Matthias Griewisch
-ebenda in English
|
|
"The Case of
the Weak Case"
|
1993 as lecture at Antwerpiano in Antwerp
1993;
in
-Das Musikinstrument, Sept. 1993 in English
-Celesta, Jan.1994 in Flemisch translation:
"Wie niet sterk is moet slim zijn."
Trans: Herman Van de Moortel
|
|
"The
Whole Truth"
|
1999 as lecture at Matiere et Musique in Cluny,
1999, published in 'The Cluny Encounter' by LABO 19
Antwerp in collaboration with Alamire Peer,
|
|
"Geometrical Methods
in Stringed Keyboard Instrument Design and
Construction"
"Why
didn't Historical Makers Need Drawings?"
|
1999 as lecture at Matiere et Musique in Cluny,
1999, published by Almire in Antwerp,, and by the
Galpin Society Journal, 2001/2002 in a much
enlarged version.
Stephen
Birkett and William Jurgenson
|
|
Further
Thoughts on Authenticity
|
2003 in La
Folia
|
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"The Importance of the Tangentenflügel to
the Development of the German Piano"
|
2002 as a lecture at harmoniques, Lausanne, and
in the proceedings: "Instruments à claviers
- expressivité er flexibilité
sonore," 2004, Peter Lang, Bern
|
|
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